Charissa Noble has combined her background as an opera singer, composer, and music theorist, along with her extensive studies in 20th Century American Art, to create the basis for her studies of the intersections of music and art. Her series of 3 lectures provide a direct, accessible look at controversial art and music in the 20th century by looking at the intersecting lives and artistic ideologies of artists and composers, posing the idea that the connections between modern art and music are, in fact, essential to understanding both. November 9: Post-war avant-garde cliques, 1945–1960: the radical art and political subtexts of Black Mountain College, the New York School, and early Fluxus.
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Workshop: Exploring Marisol Escobar’s Assemblage
January
08
2018
21
September
2019
29
October
2019
21
December
2019
22
September
2018
26
October
2019
